https://kinoprado.com/news daily 0.75 2026-01-29 https://kinoprado.com/news/2026/1/29/how-catfish-hunt-premieres-at-max-ophls monthly 0.5 2026-03-17 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1769673079585-U83IHTFIY13AHQFR0O59/ffmop47_Wie_Welse_jagen_Kullmann_01289.jpg news - HOW CATFISH HUNT premieres at Max-Ophüls-Filmpreis Wie Welse jagen | © Max Kullmann | FFMOP https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1769673077892-IZE1II9KU5IL67IX9CSP/ffmop47_Wie_Welse_jagen_Kullmann_01314.jpg news - HOW CATFISH HUNT premieres at Max-Ophüls-Filmpreis João Pedro Prado, Jonny Hoff | © Max Kullmann | FFMOP https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1769673079353-ZMNH2ZND96DFNNLQJZBA/ffmop47_Wie_Welse_jagen_Kullmann_01306.jpg news - HOW CATFISH HUNT premieres at Max-Ophüls-Filmpreis João Pedro Prado, Jonny Hoff | © Max Kullmann | FFMOP https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1769673077830-UH2A52BYUX85IGU9V7BY/ffmop47_Wie_Welse_jagen_Kullmann_01318.jpg news - HOW CATFISH HUNT premieres at Max-Ophüls-Filmpreis João Pedro Prado | © Max Kullmann | FFMOP https://kinoprado.com/news/2025/12/29/idfacademy-selects-joo-pedro-prado monthly 0.5 2026-03-17 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1767045359988-03SV19RDHL8RIS4BO4E0/%25C2%25A9Nina%2BSchollaardt_IDFAcademy_1.jpg news - IDFAcademy selects João Pedro Prado João Pedro Prado at IDFAcademy | © Nina Schollaardt https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1767045255751-WRG1IZJ6A9RYB13VJ0QY/%C2%A9Nina+Schollaardt_IDFAcademy_2.jpg news - IDFAcademy selects João Pedro Prado © Nina Schollaardt https://kinoprado.com/news/2025/10/10/joo-pedro-prado-wins-gerd-ruge-grant monthly 0.5 2026-03-17 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1760086833483-QHG2IUGYPUKM1305584R/Gerd_Ruge717-scaled.jpg news - João Pedro Prado wins Gerd Ruge Grant © Ralf Jürgens | Film- und Medienstiftung NRW https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1760086832209-8SYU3YIC5WD19JEQN5A4/Gerd_Ruge804.jpg news - João Pedro Prado wins Gerd Ruge Grant João Pedro Prado wins Gerd Ruge Grant 2025 | © Ralf Jürgens | Film- und Medienstiftung NRW https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1760086832253-FHIBB99NIOHJ2B023L5B/Gerd_Ruge594.jpg news - João Pedro Prado wins Gerd Ruge Grant João Pedro Prado wins Gerd Ruge Grant 2025 | © Ralf Jürgens | Film- und Medienstiftung NRW https://kinoprado.com/news/2025/9/30/the-wars-we-play-pitches-at-baltic-sea-docs monthly 0.5 2026-03-17 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1759269114479-2FXMQMKC3GLLU9YSOSO7/BSD_6504_foto+A.Zeltina.JPG.jpg news - THE WARS WE PLAY is pitched at Baltic Sea Docs Anton Yaremchuk and João Pedro Prado pitch THE WARS WE PLAY | © Agnese Zeltiņa https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1759269103016-6ZEOAL27S0NWCW4KTT8W/BSD_6529_foto+A.Zeltina.JPG.jpg news - THE WARS WE PLAY is pitched at Baltic Sea Docs Anton Yaremchuk and João Pedro Prado pitch THE WARS WE PLAY | © Agnese Zeltiņa https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1759269089876-YOK2C3UPLVG0Y4LU1NGS/IO7A0295foto+A.Zeltina.JPG.jpg news - THE WARS WE PLAY is pitched at Baltic Sea Docs © Agnese Zeltiņa https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1759269103011-GUCE1YM3IQMT9SGJBYSF/IO7A0236foto+A.Zeltina.JPG.jpg news - THE WARS WE PLAY is pitched at Baltic Sea Docs Anton Yaremchuk and João Pedro Prado pitch THE WARS WE PLAY | © Agnese Zeltiņa https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1759269089469-1CP80V81WJAIKKAV38JF/IO7A0831foto+A.Zeltina.JPG.jpg news - THE WARS WE PLAY is pitched at Baltic Sea Docs Anton Yaremchuk and João Pedro Prado | © Agnese Zeltiņa https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1759269115748-Y0NHHL5AVDV09F88UJ0U/BSD_6480_foto+A.Zeltina.JPG.jpg news - THE WARS WE PLAY is pitched at Baltic Sea Docs Anton Yaremchuk and João Pedro Prado pitch THE WARS WE PLAY | © Agnese Zeltiņa https://kinoprado.com/news/2025/6/26/fission-now-streaming-on-zdf-mediathek monthly 0.5 2025-06-26 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/fbb8b3bc-3bfc-41f2-9c8a-0d4af395af77/SPALTUNG_Signature.png news - FISSION now streaming on ZDF Mediathek - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://kinoprado.com/news/2025/5/15/the-wars-we-play-wins-pitch-award-at-dokforum monthly 0.5 2025-07-27 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1753359776537-ODX413VXFF128SO6A2OQ/TWWP_DOKforum_award_3.png news - THE WARS WE PLAY wins pitch award at DOK.forum https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1747296136548-Q80X3ZQN3TOZ9RDB6269/TWWP_DOKforum_award_2.jpeg news - THE WARS WE PLAY wins pitch award at DOK.forum https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1747296138088-B59AXP70YJF356ITKYUM/TWWP_DOKforum_award_1.jpeg news - THE WARS WE PLAY wins pitch award at DOK.forum https://kinoprado.com/news/2025/3/1/fission-is-selected-for-cphdox-2025 monthly 0.5 2025-10-10 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1740827398246-ODQYCB39V5PGD1S58ZZ5/Spaltung_Stills_00_laurel.jpg news - FISSION selected for CPH:DOX 2025 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1740827395013-A3GSQ5ZAAZYDUG0RLFEO/Spaltung_Stills_5_laurel.jpg news - FISSION selected for CPH:DOX 2025 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1740827390473-5BU3RN29Y501RK337TOO/Spaltung_Stills_12_laurel.jpg news - FISSION selected for CPH:DOX 2025 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1740827394046-G1FZJ82BO0NMJWGMTZCY/Spaltung_Stills_8_laurel.jpg news - FISSION selected for CPH:DOX 2025 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1740827390646-AK1V5FOX8Y73J0F7HXOZ/Spaltung_Stills_11_laurel.jpg news - FISSION selected for CPH:DOX 2025 https://kinoprado.com/news/2025/3/1/joo-pedro-prado-amp-jacky-lai-win-sponsorship-award-for-artistic-research monthly 0.5 2025-11-05 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/7bb78526-65b9-41b2-a3e3-9e607058fe59/IKF_mappe_cover_2.jpg news - João Pedro Prado & Jacky Lai win award for artistic research https://kinoprado.com/news/2024/11/7/dead-period-shortlisted-for-german-short-film-award monthly 0.5 2025-10-10 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730953832837-1QHNRTXWZM5MLFI43M50/Dead-Period_Still-3_%C2%A9Lena-Krenz_dkfp.png news - DEAD PERIOD shortlisted for German Short Film Award https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730953796331-K3N2A8WTWA0A1JJT02QY/Dead-Period_Still-2_%C2%A9Lena-Krenz_dkfp.png news - DEAD PERIOD shortlisted for German Short Film Award https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730953796417-PZ80AZKENN8JLF3X6CIU/Dead-Period_Still-4_%C2%A9Lena-Krenz_dkfp.png news - DEAD PERIOD shortlisted for German Short Film Award https://kinoprado.com/news/2024/11/7/joo-pedro-prado-wins-script-development-grant-by-medienboard-berlin-brandenburg monthly 0.5 2026-01-29 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730955403250-WQDSJIM9OETP4LNR56NJ/R1-02802-0001.jpg news - João Pedro Prado wins script development grant by Medienboard Berlin-Brandenburg - João Pedro Prado and Ricardo Domeneck © Carousel Film https://kinoprado.com/news/2024/11/9/fission-finishes-post-production monthly 0.5 2025-10-30 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/7db96f6c-fd5a-4bc7-bdec-58ab83562ba5/regiefoto.JPG news - FISSION finishes post-production - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://kinoprado.com/news/2024/11/9/ash-wednesday-goes-to-france-and-brazil monthly 0.5 2026-01-29 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731169222903-Y3MP4ISAPBLFY98G00FO/WoS_2.JPG news - ASH WEDNESDAY goes to France and Brazil Vincent Edusei, João Pedro Prado, Claudia Valeria Barrantes Sotomayor and Kleber Nascimento. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731169222826-7Q2CLQNXOY0ETFP379OZ/WoS_1.JPG news - ASH WEDNESDAY goes to France and Brazil War on Screen director Philippe Bachman conducts the Q&A with João Pedro Prado, Vincent Edusei, Claudia Valeria B. Sotomayor and Kleber Nascimento. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731170191886-XTTSQDEUYIBHQTGOIXF6/WoS_3.jpg news - ASH WEDNESDAY goes to France and Brazil Mohammed Almughanni, João Pedro Prado, Lisa Sallustio. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731169800312-ANIB5OLM1Z3041KQO311/RIO_2.jpg news - ASH WEDNESDAY goes to France and Brazil Bárbara Santos, João Eduardo Albertini, João Pedro Prado, Bia Krieger, Kleber Nascimento at Festival do Rio. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731169232437-PRGKI7NBEZ8DOQC7KELO/RIO_1.jpeg news - ASH WEDNESDAY goes to France and Brazil João Pedro Prado and Bárbara Santos. https://kinoprado.com/news/2024/11/8/mapsgaps-opens-at-knstlerhaus-bethanien monthly 0.5 2024-11-09 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/573f33e4-7db4-433c-ae02-d503c07fd08a/IKF_jack_joao.jpg news - maps.gaps opens at Künstlerhaus Bethanien - Make it stand out Jacky Lai and João Pedro Prado https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731076434811-XNMF36X5AYWIXIWHYIJA/Screenshot+2023-04-04+at+02.37.38.png news - maps.gaps opens at Künstlerhaus Bethanien https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731076436355-5WCO3V6E9VYT1I7QKMOS/Screenshot+2023-04-04+at+02.38.47.png news - maps.gaps opens at Künstlerhaus Bethanien https://kinoprado.com/news/2024/11/9/spuk-takes-part-at-winterclass-202223 monthly 0.5 2024-11-09 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/7c5aa54d-59c6-478d-9212-6d63b555bf9a/capa.jpg news - SPUK takes part in WinterClass 2022/23 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://kinoprado.com/news/2024/11/7/ash-wednesday-premieres-at-the-berlinale monthly 0.5 2025-10-30 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731178754193-PS68F0ETTVDX7EH4MUWJ/DSC_5144.jpg news - ASH WEDNESDAY premieres at the Berlinale https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731178769637-90OUIEEA2D14SG8HE37O/DSC_5276.jpg news - ASH WEDNESDAY premieres at the Berlinale https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731178616639-TP8W9QOS2B1XSEX8S8LY/210223_DS_1740.jpg news - ASH WEDNESDAY premieres at the Berlinale https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1731178679631-K6BZ4FZSJYFI4QQ39S0V/23-02-21-ASH-WEDNESDAY-PREMIERE-0873-GODENSCHWEGER-PHOTOGRAPHY-MedRes.jpg news - ASH WEDNESDAY premieres at the Berlinale © Finnegan Godenschweger https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992496204-UVT3SG5FB5P6QA2G3DL0/210223_DS_1750.jpg news - ASH WEDNESDAY premieres at the Berlinale © Daniel Seiffert https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992496448-83O65U9TM6AWHOB4Z0MW/210223_DS_1742.jpg news - ASH WEDNESDAY premieres at the Berlinale © Daniel Seiffert https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992395133-P5KUECTICQV1QOIAC05K/23-02-21-ASH-WEDNESDAY-PREMIERE-0406-GODENSCHWEGER-PHOTOGRAPHY-MedRes.jpeg news - ASH WEDNESDAY premieres at the Berlinale © Finnegan Godenschweger https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992523797-XTT2KZFO5ZTN5USA6EMM/210223_DS_1766.jpg news - ASH WEDNESDAY premieres at the Berlinale © Daniel Seiffert https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992389311-7TV0NLIPKKYRQO22KMCF/23-02-21-ASH-WEDENESDAY-PREMIERE-0034-GODENSCHWEGER-PHOTOGRAPHY-MedRes.jpeg news - ASH WEDNESDAY premieres at the Berlinale © Finnegan Godenschweger https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992534327-LR91UHXHNUEAK5EX1L52/210223_DS_1775.jpg news - ASH WEDNESDAY premieres at the Berlinale © Daniel Seiffert https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992389963-CFDKK7R9RVK3AQBJID3V/23-02-21-ASH-WEDNESDAY-PREMIERE-0330-GODENSCHWEGER-PHOTOGRAPHY-MedRes.jpeg news - ASH WEDNESDAY premieres at the Berlinale © Finnegan Godenschweger https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992397455-F26N1EA273TICOOC98E3/23-02-21-ASH-WEDNESDAY-PREMIERE-0864-GODENSCHWEGER-PHOTOGRAPHY-MedRes.jpeg news - ASH WEDNESDAY premieres at the Berlinale © Finnegan Godenschweger https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992385076-O2WH4ZPH2TNEOH70M4YJ/23-02-21-ASH-WEDNESDAY-PREMIERE-0924-GODENSCHWEGER-PHOTOGRAPHY-MedRes.jpeg news - ASH WEDNESDAY premieres at the Berlinale © Finnegan Godenschweger https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992385560-TUOZIVEKDWC1HWO1X898/23-02-21-ASH-WEDNESDAY-PREMIERE-0906-GODENSCHWEGER-PHOTOGRAPHY-MedRes.jpeg news - ASH WEDNESDAY premieres at the Berlinale © Finnegan Godenschweger https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992650602-89FVNSTG2QX8B4XUNM3Z/210223_DS_1971.jpg news - ASH WEDNESDAY premieres at the Berlinale © Daniel Seiffert https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992541945-KDNV5YDKQ7Q3U2JHDA98/210223_DS_1934.jpg news - ASH WEDNESDAY premieres at the Berlinale © Daniel Seiffert https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730992662911-G4WHPLQT2PO2AMFYMWK4/210223_DS_1964.jpg news - ASH WEDNESDAY premieres at the Berlinale © Daniel Seiffert https://kinoprado.com/news/2023/1/19/ash-wednesday-is-selected-for-the-73rd-berlinale monthly 0.5 2026-01-29 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1674141421738-1KQL2CA81MG1DBHXVMBV/AW_still_12_logo_red_big.png news - ASH WEDNESDAY is selected for the 73rd Berlinale https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1674141171569-827PGOVI6AP9RRZA9AIC/AW_still_2_logo_red_big.png news - ASH WEDNESDAY is selected for the 73rd Berlinale https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1674141176352-V2RY4GHWWGROV2VLFW4K/AW_still_6_logo_red_big.png news - ASH WEDNESDAY is selected for the 73rd Berlinale https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1674141169279-9SIT51EVADO6TOXAK71F/AW_still_5_logo_red_big.png news - ASH WEDNESDAY is selected for the 73rd Berlinale https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1674141180611-L7AS1R6FPY6N6FUVM77S/AW_still_7_logo_red_big.png news - ASH WEDNESDAY is selected for the 73rd Berlinale https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1674141186617-3LPJZCQLIY9T39QK1J8R/AW_still_11_logo_red_big.png news - ASH WEDNESDAY is selected for the 73rd Berlinale https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1674141195116-K1MUOG1YD529U5BK6P2H/AW_still_12_logo_red_big.png news - ASH WEDNESDAY is selected for the 73rd Berlinale https://kinoprado.com/news/2021/12/14/elfriede-jelineks-was-geschah-premieres-at-filmuniversitt-babelsberg monthly 0.5 2024-11-20 https://kinoprado.com/news/2021/9/22/oh-wie-frei-ist-panama monthly 0.5 2025-10-30 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1632976441150-D9FCT5U8NMIMJ1M5FYRP/DSC06920.jpg news - Short documentary OH, WIE FREI IST PANAMA? finishes post-production - Make it stand out © 2021 | Henry F. Bock https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1639444280860-Q62XMZ8GVW3VSG18DBK9/PANAMA_Still_1_%C2%A9Marharyta+Kurbanova.png news - Short documentary OH, WIE FREI IST PANAMA? finishes post-production © 2021 | Marharyta Kurbanova https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1639444279805-IDS4CVPSX89AVNSE4KPB/PANAMA_Still_2_%C2%A9Marharyta+Kurbanova_MAIN.png news - Short documentary OH, WIE FREI IST PANAMA? finishes post-production © 2021 | Marharyta Kurbanova https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1639444285925-Q4FHAKQDCGYY2DAH4R18/PANAMA_Still_3_%C2%A9Marharyta+Kurbanova.png news - Short documentary OH, WIE FREI IST PANAMA? finishes post-production © 2021 | Marharyta Kurbanova https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1639444391627-S5XQ0YFQYGF2H5BWXT65/PANAMA_Still_4_%C2%A9Marharyta+Kurbanova.png news - Short documentary OH, WIE FREI IST PANAMA? finishes post-production © 2021 | Marharyta Kurbanova https://kinoprado.com/news/2021/9/30/patriots-dont-die-is-shown-at-filmfest-dresden-2021 monthly 0.5 2025-10-30 https://kinoprado.com/news/2021/9/22/ash-wednesday-wins-production-grant-by-french-festival-war-on-screen monthly 0.5 2026-01-29 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1632318132943-6DJT7LFQYNHTG7G6MKXK/team_zoom.jpeg news - ASH WEDNESDAY wins production grant by French festival War on Screen - Make it stand out Above: Klara Otto and João Pedro Prado. Below: Bárbara Santos, Beatriz Krieger and Uriara Maciel. https://kinoprado.com/news/2021/7/23/patriots-dont-die-is-awarded-a-special-jury-mention-at-storie-parallele monthly 0.5 2025-10-30 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1627064554877-POZUT5USMP0TJYRAA8GK/2021_storie_parallele.jpg news - PATRIOTS DON'T DIE is awarded at Storie Parallele Festival - “The jury marks with a special mention the documentary PATRIOTS DON'T DIE, by João Pedro Prado, crudely photographing the people of Jair Bolsonaro, President of Brazil, with a keen eye on the "belly" of the country that led him to power and that today minimizes the impact of covid.” https://kinoprado.com/news/2021/7/23/italian-premiere-of-patriots-dont-die-in-bologna monthly 0.5 2025-10-30 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1627067748411-IE179558G12VYARB6M5X/patriots_still_vert2.jpg news - PATRIOTS DON'T DIE celebrates its Italian premiere in Bologna - “The point of view of the protesters is that of President Jair Bolsonaro, who has often downplayed the pandemic with statements such as ‘There’s nothing I can do, I'm sorry for the dead but we will all die one day.’ Joāo represents the circus of lies that occupies the streets of his city without mercy, moving from one individual to another like a silent fly. The question that the director seems to ask himself with PATRIOTS DON’T DIE is whether the deadliest virus of all is not fascism. To the contradictory and deleterious ideas of the deniers, he opposes the evidence with the final billboard: from March 15 to October 1, 143,000 Brazilians died from the virus.” https://kinoprado.com/news/category/fiction monthly 0.5 https://kinoprado.com/news/category/videos monthly 0.5 https://kinoprado.com/news/category/text monthly 0.5 https://kinoprado.com/blog daily 0.75 2024-11-09 https://kinoprado.com/blog/2021/7/23/2020 monthly 0.5 2021-07-23 https://kinoprado.com/blog/2019/2/2/2018-1-ncwha monthly 0.5 2021-07-24 https://kinoprado.com/blog/2019/5/22/notes-on-the-last-beach-of-palermo monthly 0.5 2019-05-23 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1558477308189-K07V8OJZREEHZWQSMCU5/bambini.jpeg blog - notes on the last beach of palermo Filming with Palermitan children at the last beach of the city center, Porticciolo Sant’Erasmo. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1558479499792-PK6T1XVUU6IGXDYJMPAX/famiglia.jpeg blog - notes on the last beach of palermo A Palermitan family quietly stares at the sea of Sant’Erasmo. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1558477546511-TX25VOUTJII2QWN76RXA/team.jpeg blog - notes on the last beach of palermo Crew members Marcelo and Alessio shooting at the Vergine Maria beach, north of Palermo. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1558478018453-A76CAXKK2WF7IUB946TO/battaglia.jpeg blog - notes on the last beach of palermo Legendary photographer Letizia Battaglia and the director João Pedro Prado. https://kinoprado.com/blog/2019/2/2/2018-1 monthly 0.5 2021-07-24 https://kinoprado.com/blog/2018/6/21/2017 monthly 0.5 2021-07-24 https://kinoprado.com/blog/category/videos monthly 0.5 https://kinoprado.com/blog/tag/year+in+video monthly 0.5 https://kinoprado.com/blog/tag/short monthly 0.5 https://kinoprado.com/films daily 0.75 2025-12-29 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/9106d1dc-d2e0-410a-8b09-f55b632906cc/WieWelseJagen_Still_1_%C2%A9LenaKrenz_laurel.png films - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/15472e35-6f53-44c1-8e38-f98e99b49621/Spaltung_Stills_00_laurel5.jpg films - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1730953832837-1QHNRTXWZM5MLFI43M50/Dead-Period_Still-3_%C2%A9Lena-Krenz_dkfp.png films - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/6d9787e1-4e3b-4c44-b48b-68127c07117e/IMG_7925.jpg films - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1465b71d-87d5-404d-bc7f-9554fe280a67/AW_still_12_logo_red_big_RJ.png films - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1639444285925-Q4FHAKQDCGYY2DAH4R18/PANAMA_Still_3_%C2%A9Marharyta+Kurbanova.png films - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/f57a0a36-5219-4094-9731-852a5ce9019e/patriots_still1.png films - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1550450257636-CCZFPW058XV5HO7K5T24/vlcsnap-2018-12-21-16h48m20s636.png films - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://kinoprado.com/research daily 0.75 2025-10-10 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/464c85cb-86ed-463b-b67d-06df94d21f1a/masterarbeit_webseite_3.jpg research - Taking a stand – ‘Attitude’ in documentary cinema year: 2024 language: German My master’s thesis at Film University Babelsberg KONRAD WOLF examines the idea of “stance” in documentary cinema, especially in films that address controversial debates. It asks how documentaries express their position, not only through explicit director’s commentary but also via other affective-rhetorical means. The theoretical section explores “stance” through phenomenology, focusing on a film’s “intentionality”, “voice” and “body.” This is illustrated by an analysis of Lord of the Toys by Pablo Ben Yakov and André Krummel, a film criticized for its raw and allegedly uncommented portrayal of right-wing youth in Eastern Germany. I argue that the film’s stance is always present to a certain extent and often communicated through subtle cinematic choices beyond explicit commentary by the filmmakers. The practical section reflects on my own filmmaking practice during my studies. In Oh, wie frei ist Panama?, I faced the challenge of portraying a conspiracy-theorist without endorsing her views or breaking Bill Nichols’ “pact of trust” with the audience. Here, the film’s stance took shape largely in post-production through the process of montage. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1571702267169-BP5IGSA3U9TBNML36SBA/climax.jpg research - Unleashed Bodies – On the theory of embodied film perception in Gaspar Noé’s CLIMAX year: 2019 language: German This essay argues for a theory of embodied cinematic perception using Gaspar Noé’s visceral fifth feature film CLIMAX as an analytical mainspring. In doing so, the phenomenology of Husserl and Merleau-Ponty, the related theories of cinematic perception by Thomas Morsch and Vivian Sobchack, and Linda Williams' concept of body genres will be of the utmost importance. With an overview of their theoretical contributions, I hope to succeed in finding a convincing position for the inclusion of the somatic and the haptic within film aesthetics, which in turn can defy the primacy of significational models in film theory. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1558571397938-BHG0TTZ1EYK3GCED4HJ7/bullshit research - What does the bullshitter care about? year: 2019 language: English Is Donald Trump a liar or a bullshitter? Though these terms may be sometimes used interchangeably, they point to essentially distinctive attitudes towards the truth. While the act of lying requires that the liar at least acknowledge the existence of a truth from which he consciously refrains, the act of bullshitting completely disregards the difference in a proposition being true or false in the first place. Another way of putting it, as Harry Frankfurt notes in his seminal essay On Bullshit, would be to say that the liar and the bullshitter are not even playing the same game. This brings us to the main two questions of this paper: Does the act of bullshitting imply a systematical lack of care for the truth? If so, could bullshitting be considered a form of intellectual vice? In order to answer these questions in any satisfiable way, I will dissect the philosophical concepts of caring, bullshitting and intellectual vice and proceed to apply them in the analysis of a paramount case of bullshit – an interview with the current president of the United States. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529324614776-8MI1VXJAPGTH4TPKZ0BA/amphitryon.jpg research - Comedy in Nazi-Germany: Analysis of a scene from Amphitryon (1935) year: 2018 language: German The debate over the political function of entertainment is controversial. It bears for instance on the question of whether an "apolitical film" could ever exist or if the term "Nazi cinema" refers to ideologically charged works, like propaganda, or simply to films produced during the Third Reich. As valid as this discussion may be, this paper chooses to focus on two questions regarding the successful comedies of Nazi-Germany: What kind of humor did they offer their audience? Which cinematic tools did they employ to provoke laughter? As I tackle these questions, I resort to a scene analysis of Amphitryon – Happiness from the Clouds (GER 1935). My goal is to use an emblematic scene as a starting point to derive the elements of staging, dialogue, camera, montage and music which might contribute to the comical and could be possibly found in other films of the same genre and time. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529326559740-IDHCK1ONKMHMFXSPBPXT/star_wars_carsten.jpg research - Remaking as Remapping: Film remakes within the framework of cartographic cinema year: 2017 language: English As I intend to show in this paper, the mapping dynamics between film and spectator can be more easily grasped in the context of remakes, which rely on the dialectics of repetition and difference to remap older narratives and render hyper-textual films equivalent to palimpsestic maps. In order to show this, I resort to the short analysis of a scene from Star Wars Episode VII: The Force Awakens (USA 2015), which was often perceived as a remix of the whole Star Wars saga, but even more frequently as a remake of its very first film, Star Wars Episode IV: A New Hope (USA 1977). https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529328401380-SM0MXNH5UX90Q1LF10CO/sphinx.png research - The powerful gaze: Ideology in narrative cinema according to Baudry and Mulvey year: 2016 language: German In the end of the 1960s and beginning of the 1970s, a conspicuous current originated in film theory concerning the political and ideological influence of traditional narrative cinema over its audience. The somewhat consensual thesis within this school of thought tended to portray the spectator as a manipulable subject whose perception was at the mercy of cinema's illusory potentialities. Frequently, these ideas were also influenced by arguments from feminist and psychoanalytical theory. Among the most prominent representatives of this current, the French Jean-Louis Baudry and the British Laura Mulvey deserve special attention. According to them, the potential power of cinema would reside in a discreet articulation of gazes, i.e. that of the camera and the spectator. The manipulation of these different perspectives would lead to their (con)fusion and, consequently, to an easier mediation of ideology. The goal of this paper is to provide a brief overview of their theories and examine their relation to one another. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529332645363-Q40LON9PNME62ATI9CLP/mad+max.jpg research - Remaking stereotypes: The portrayal of women in the Mad Max-Franchise year: 2015 language: German The striking markers of inequality point to an inherent and historical female underrepresentation in Hollywood films, which lack women behind and in front of the camera while also subjecting gender to a process of stereotyping. In face of this panorama, a certain new phenomenon has attracted the public's attention. Over the past six years, new renderings of older films have spawned female characters besides the traditional male protagonists, thereby balancing the gender of their ensembles, and have at times gone as far as replacing the male heroes of the "original films" by women. The emergence of Mad Max: Fury Road (USA 2015) three decades after the premiere of the first film of the franchise, as well as the tendency of spectators to resignify the remake and work it into contemporary gender discourses, lead to questions that are of special interest to culture and film studies, such as: For what reasons is the remake often interpreted as "feminist"? With which narrative and film aesthetic means is gender constructed in the franchise? To what extent are stereotypes of femininity and masculinity confirmed or refuted? This papers tackles some of these questions. https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529334572117-7OUL9HZUV2V5ZJWE4X3R/500_days.jpg research - This is not a love story: analysis of a sequence from (500) Days of Summer year: 2015 language: German By warning its audience right from the beginning that they are not about to watch a love story, (500) Days of Summer (USA 2015) breaks with many conventions of the romantic comedy genre, including by ending its plot with the definite separation of the leading couple. As I intend to show on this paper, however, the incompatibility of the main characters shouldn't come off as a surprise to the audience, for it is a fact hinted at throughout the story by visual patterns of opposition. Thanks to the omnipresent motif of contrast, the film conveys that it is not an unbiased story, but rather one told solely from the male character’s perspective. https://kinoprado.com/contact daily 1.0 2025-12-29 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/287e07e0-c0a5-4e76-99db-c1c5ada29723/PANAMA_Regie_%C2%A9Joa%CC%83o+Pedro+Prado.jpg about https://kinoprado.com/pagecv daily 0.75 2018-06-26 https://kinoprado.com/photography daily 0.75 2023-01-19 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1567128670908-802ROH0EXG8KQLQF082N/_9A_01759.jpg photos https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1567131724411-MKZI8WQLYLCCACTOQYUW/10A_01758.jpg photos © João Pedro Prado | Rome, 2019 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1567131726038-JTZ9211UTY6ZWOZ1QT5U/12A_01756.jpg photos © João Pedro Prado | Rome, 2019 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1567131756577-G7V1AKP1FVH9SRON9Q3C/13A_01755.jpg photos © João Pedro Prado | Rome, 2019 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1567131782992-J5IU98L6FHTBFSHFB0JG/20A_01748.jpg photos © João Pedro Prado | Rome, 2019 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1567131757837-BJ7Y1BTP8TWA4YZB2OQL/19A_01749.jpg photos © João Pedro Prado | Rome, 2019 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1567131787630-DDJMWNICF91FRXFP3S6P/21A_01747.jpg photos © João Pedro Prado | Rome, 2019 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529283138212-YXCYTTGO9H91MKV33ZGH/IMG_6707%28edit%29.JPG photos https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529283526099-M8VWNG8W29V8UBGVYMKR/IMG_6634%28edit%29_1.JPG photos © João Pedro Prado | Saint Petersburg, 2016 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529282357266-NQJPZ6W6RQ05PAR0BMNS/IMG_6681%28edit%29.JPG photos © João Pedro Prado | Saint Petersburg, 2016 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529282514747-1BAG2CYMHTP3BA27MT0C/IMG_6692%28edit%29.JPG photos © João Pedro Prado | Saint Petersburg, 2016 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529282666072-QJZGJGGBYRT55IW45SAA/IMG_6703%28edit%29.JPG photos © João Pedro Prado | Saint Petersburg, 2016 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529276332186-2P0NG7F49QWNEBLS0NTR/IMG_6045%28edit%29.JPG photos https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529201014768-XG55OVHDGUXSLQ3H9NBV/IMG_6035%28edit%29.JPG photos © João Pedro Prado | Berlin, 2016 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529201066253-HADZALVWG07WC3517Y8I/IMG_6071%28edit%29.JPG photos © João Pedro Prado | Berlin, 2016 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529201084590-XA7OP4MYM96OW5VN0NXX/IMG_6077%28edit%29.JPG photos © João Pedro Prado | Berlin, 2016 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529201126281-2O7AP8TNIMPC995MW04Q/IMG_6088%28edit%29.JPG photos © João Pedro Prado | Berlin, 2016 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529201043665-ZHC5UIMTBGTTLKGDMAXR/IMG_6057%28edit%29.JPG photos © João Pedro Prado | Berlin, 2016 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1529201131654-R4S517NN09QT2WX5VRFR/IMG_6106%28edit%29.JPG photos © João Pedro Prado | Berlin, 2016 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1528852190332-0VKUJ2YAAYYSD0SJWZZF/IMG_1844%28edit%29.JPG photos https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1528851741305-RD3DZG6PRFFXCWCG3337/IMG_1767%28edit%29.JPG photos © João Pedro Prado | São Paulo, 2015 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1528851738448-2B6WDGHPZY452BGD8PAB/IMG_1773%28edit%29.JPG photos © João Pedro Prado | São Paulo, 2015 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1528853107543-NJFI5139ZGTZQTZBTYOR/IMG_1894%28edit%29_1.JPG photos © João Pedro Prado | São Paulo, 2015 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1528852659894-JG37AKGASIEJP65LF2I2/IMG_1885%28edit%29_1.JPG photos © João Pedro Prado | São Paulo, 2015 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1528851816298-UCX7MHT4DLDFBNEJ3VMI/IMG_1895%28edit%29.JPG photos © João Pedro Prado | São Paulo, 2015 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1528851820151-7WRFIQE04EHASC2XTJ11/IMG_2003%28edit%29.JPG photos © João Pedro Prado | São Paulo, 2015 https://images.squarespace-cdn.com/content/v1/5b0226b8c258b4b15ddadbc3/1528845240449-NDYI32OYCQQACEIQ6HB3/IMG_7812.JPG photos 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